To overcome feeling overwhelmed by finishing your novel, a writer might want to keep these writing principles in mind:
- She doesn’t have to write chronologically.
- She can write her most important scenes first and then fill in the blanks.
Now, if she has planned your novel with some kind of outline, then these principles become even easier.
So the question is, what are the most important scenes in a novel?
This doesn’t mean some scenes are less necessary than others. In the final draft, all the scenes should be necessary and move the story along. A post from C.S. Lakin’s blog called The First Ten Scenes You Need to Plot for your Novel offers a list of scenes on which the writer should focus.
I concentrated on finishing these scenes and now I am writing the final draft of the “in-between” stuff. If you get stuck in your writing, jump ahead work on the The Midpoint scene. This is the scene, roughly 50% of the way through your story, where the character asks whether or not she wants to continue. She questions who she is. She decides to go on, or maybe decides to take a different tactic. Then write backwards from that scene, or write forwards.
Here is what the writer should remember: if she gets stuck writing the novel chronologically, she can jump around and write one of the scenes listed in Lakin’s article.
There’s no rule against doing that.
I am down to the last 25% of the current draft of my novel which I’m now calling Ziggurat Reach. Whether that is a working title or a final title, I don’t know.
I know what is happening in the last part of my novel. I am building up to the story’s climax and all the characters have finally gathering to one place–the ziggurat, in case you’re wondering– and a lot of things are about to happen.
Here are some thoughts on what I’m trying to accomplish and how I’m feeling as I’m writing this week:
- Each character has a goal he or she is in the process of fulfilling, and I’m figuring out ways the goals will be finalized in this last quarter.
- K.M. Weiland has said she wrote more than one version of the climactic scene. I think I may do that.
- Scrivener has been a godsend in motivating me to get moving on this novel.
- In my next draft, I have a whole new subplot I’ll be writing. At this point, it’s outlined in Scrivener, but I’ll be composing first drafts for those scenes after I finish this draft.
- Saving up to buy some ISBN numbers. Deciding whether to break the story down into four mini-novel episodes. The first one would be free. I would also offer the novel as a whole for a cheaper price than buying the three remaining mini-novel episodes.
- Still deciding whether to use Smashwords or Amazon or both (at different times).
Well, tonight I’ll be toiling away on novel. Maybe I’ll go to my favorite coffee shop, Heine Brothers in Northfield area of my city, Louisville, Kentucky.
Every year I try and read a couple of books on the writing craft. I know that’s not everyone’s cup of tea, but, honestly, I love reading stuff on how to write fiction. Here is what I read in 2015:
Planning a Novel, Script or Memoir
by Hank Quense
Quense offers practical tips on how he writes his novels. What I want is something I haven’t heard before, and that’s what I got with this book. At the beginning, he suggests the reader to just take what he or she needs. Good advice. Not everyone thinks the same way, and, also, who wants to read the same thing over and over?
Structuring Your Novel
by K.M. Weiland
Weiland shows how to make the most of using the three-act structure as you write your novel. She has become sort of an online tutor/mentor to me because books like this one answer my questions about writing fiction.
Your Guide to Scrivener by Nicole Dionisio
Scrivener is a program to help writers organize their projects, both fiction and non-fiction. I can’t praise the software enough. There are dozens of books out there to show the writer how to use Scrivener, and I picked this by Nicole Dionisio. I admit I selected because it was the cheapest ebook on the subject I could find. But it’s all okay, because she did a great job and the book is short, so you can learn Scrivener quickly.
In my previous blog entry, I began listing some things I’m learning as I write my current novel. Here are some more:
- Let the story unfold like a snowflake. When writing the discovery draft of a novel, I like to use the snowflake method. This is a method created by writer Randy Ingermanson. I mentioned in my last post how writing this novel was like peeling an onion; this is part of that metaphor. Here’s how I’ve adapted it: first, write one sentence for each scene; next, turn each sentence into a five sentence paragraph; then turn each paragraph into five paragraphs. I use the snowflake method software to develop my characters, but then I jump to a text document and let the story develop. I read about a similar method in a book that is out of print called One Way to Write Your Novel by Perry Dick. You may want to use your own version of this method.
- Write a scribble for each scene. Many different methods float around the internet on how to write a scene for a novel. I’ve come across this list of tips for writing scenes, and the item on this list that I find helpful is write a scribble version (of the scene). Here is an example of what a scribble version looks like (Scroll down a little.). Usually, I write a scribble version for a scene when I turn scene from one sentence into a paragraph. So, a scene is first written out as a scribble, then I expand it with dialogue, action, narrative, inner emotion and inner monologue.
- None of the main characters in my story are married or in committed relationships. They are all in their early twenties, with one exception. I’m beginning to think this could be marketed to young adults.
- In further rewrites, I will be able to see where I can change things. As I write the discovery draft, I make notes about things that have already happen that I can change and strengthen. This includes: characters idiosyncracies; dialogue changes; inner emotion additions; jacked-up conflict; additional sub-plots. I also will be taking out some dialogue in my opening scene in which the antagonist reveals too much about himself too soon–I hope this will create more suspense as in “what’s he up to, anyway?”
- I write a series of scenes that go together and break them into chapters. I write scenes and then break them into chapters. Supposedly, fiction is written as scenes in the same way nonfiction is written as a paragraphs. A chapter in fiction may contain several scenes, or only one–it’s up to the writer. I may cut a scene in half by ending a chapter in the middle of it to create a cliffhanger.
- Most of writing is definitely rewriting. Recently, I’ve come across these articles about editing and rewriting a manuscript. I plan on using some of the tips they offer; in fact, I’m already using some of the advice from them. Here they are:
How to Write a Book: the Five-Draft Method (Jeff Goins)
How I Self-Edit My Novels: 15 Steps from First Draft to Publication (K.M. Weiland)
- I’ve gotten good at avoiding sentences beginning with participles and as. I recommend Self-Editing for Fiction Writers. One chapter discusses sentences in which the writer begins a sentences with an –ing word. This can lead to dangling modifiers: Rowing down the river, the branches of the trees hung over us like protective arms. Anyway, here’s an article that talks about the same thing. The first comment also has some good tips.
- Writing action scenes is not the same thing as action scenes on the screen. An action scene need not include every punch, kick or jab. Every car chase scene need not include every screeching turn around a corner. Actions scenes are an opportunity to reveal character, among other things. Here are some articles I’ve read recently on writing action scenes I’ve found helpful:
5 Essential Tips for Writing Killer Action Scenes (Chuck Sambuchino)
The Kung Fu Panda Guide to Writing Action Scenes (K.M. Weiland)
Writing: Action Scenes (John Rogers)
Just Google “writing action scenes” and you’ll find these articles listed as well as many more.
- I’m avoiding infodumps. I’m writing a science fiction series with certain “rules of the universe” in which the stories take place. With this draft, I’m avoiding infodumps about this crazy place I’ve created–for now. When I rewrite, I’ll need to explain a few things as briefly as possible. How I will do that, I’m still deciding. Should I even do it at all?
- Dialogue is never the best the first time around. When I rewrite, I will be hammering the dialogue to make it stronger in an attempt to give each character his or her own “voice.”
- Writing about the progress of my novel, like this, is helpful. More lessons appear to me as I write and I hope to continue chronicling those lessons in this blog in an attempt to improve my writing and storytelling. Wish me luck.
When I say I’ve written six novels, this is what I really mean: I’ve written the rough draft of six novels. Sure I like to say “I’ve written six novels” to try to impress people, but if anyone would read these “novels”, he would read for five minutes, stick out his tongue, squinch up his face, hold the manuscript with his index finger and thumb as if holding a dirty diaper and dispose of it in the trash as if it smelled like said dirty diaper.
Here’s the truth: I’ve written six rough drafts National Novel Writing Month (NaNoWriMo). Five of the rough drafts are part of a science fiction series I’ve been writing. The first NaNoWriMo novel I wrote is a stand-alone story.
Even after NaNoWriMo is over I’ll continue rewriting and polishing the manuscript, but then I get busy. And suddenly it’s November again—NaNoWriMo month—and I have a new idea and write a whole new story for the series.
This year I finished NaNoWriMo by writing the minimum 50,000 words, but I still have several chapters to write to finish the story. That’s what I’m doing now. The good news is that I more motivated than I’ve ever been to finish and rewrite the story. This year I planned out the novel differently than before and I feel it’s been a boon.
As I continue writing the rough draft of my sixth novel, here is what I’m learning:
- A rough draft is really a “discovery draft.” Discovering the story is like peeling and onion. Sure, before I started writing, I made a list of scenes and sketched out some of the main characters, but I discover so much more about my characters and story as I write. I just keep finishing the discover draft, however, knowing that I will change and add later.
- This year, I planned my novel a little differently: first of all, I made a list of scenes (one sentence each) and plugged the list into the three-act-structure. The three-act-structure is lauded by many and disliked by many, but it helped me think about suspense, conflict and rhythm for my story. Next, I took this list and labelled the scenes according to the hero’s journey. I was pleased that my outline seemed to fall right into the sequence of the hero’s journey. For example, toward the beginning of the story, part of the hero’s journey is “meeting a mentor.” And right there, in proper order, I had my protagonist run into a character who matched the description of being the “mentor.” (By the way, it’s perfectly legitimate to do all this planning before NaNoWriMo starts; the writing of the “discovery draft” begins on November 1st.) Here is a diagram that helped me see how to combine the three-act-structure with the hero’s journey.characters: they have goals; they will change by end of novel; need more inner emotions and thoughts for the protagonist.
- I am writing this discovery draft using only the point-of-view of my protagonist. This means I am writing only scenes in which he is present and interacting with other characters or progressing the story himself. I include description, inner feelings and inner monologue related only to him. As a result, some of the other main characters don’t feel as well-developed as I’d like. The reader only sees them from the viewpoint of my protagonist. This may not be a bad thing, but as I rewrite, I may add scenes from the viewpoint of two of the other main characters. This would add some subplots that are not getting fully developed in this discovery draft. This may or may not be a good idea, but I will try it and see.
- Making a fake cover for my novel has helped keep me motivated. I did this for all my rough drafts in this series I’m creating using Adobe Photoshop and Adobe Illustrator and I had a lot of fun.
- I have more lessons I’m learning as I write my current novel and I will talk about those in a later post. For now, I wanted to write about the realizations that come up. Just doing that is helpful and keeps me motivated.